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It Makes Sound

If the tree falls when no one’s around
Does anyone care? Will it make sound?
Yes! Our own creations, like that silent tree,
Echo inside ourselves, their own melody.

The purpose of art, in its purest form,

Is to make us more human, to transform.

In the act of falling, in the act of creation,
Lies the essence of our human station.


“If a tree falls in the forest with no one around, does it make a sound?”

Yes. 

This question always seemed silly to me. Of course it does, the tree was there to hear itself. The tree experienced the fall. As did anything close to it. And it continued to make sound as animals made their home in it, more sound when its fading leaves blew in the wind, and even more sound when that child eventually came to the forest to learn to balance on its history. 

I’ve thought about this sentiment a few times as we continue to see a rise in Artificial Intelligence. It wasn’t that long ago that I thought the humanities – unique pieces of art, music and literature – would hold off against artificial replication. Clearly AI has moved well past that. So why create art, why write stories, why craft at all if AI can do it faster, better, and for a wider audience? If it can make a louder sound?

Because even if art is created with no one around, it makes sound to the creator. My humanities make sound to me. No one else and nothing else can ever replace my creative process. For me, the process of creation is part of becoming. The process of creation changes me. It helps me take the time to process my world. It reflects back at me to help me see my priorities from another angle, even if no one else is standing where the light bends for that same perspective. The process of creating helps me become more human – which is to say – more vulnerable, raw, and real. That is the purpose of humanities – to help us become more of what we already are – human. And AI can’t replicate that.

Is all of this to say I’m anti-AI? Not as much as some artists. AI can be used for good *if* it is used like a hammer or a paintbrush – something to pick up, utilize, and put back down again. This is something I do on occasion. Many times I’ll have an idea in my head that I’m having a hard time sketching out properly. So, I turn to the tool of AI and ask it to make the building blocks for me, nudging it different directions until I have enough of a reference picture to get back to hands-on. AI has potential to be used for some incredibly noble advancements. However, if the humans behind AI and the humans utilizing AI don’t first touch the earth, watch an eagle’s natural co-parenting instincts during a blizzard, and ultimately learn to balance on that fallen log – they will never know what and why to build with AI.

As humans, we spend too much time focusing on what our impact will be. How many likes, how many followers, what awards, how much noise? We overlook the value that it is to experience existence. An individual experiencing existence and experiencing creation is worthy as is. The value is not in the results. We need to allow ourselves the space to create for the sake of creating.

Is all of this selfishness? No. The tree could not exist in and of itself. The air it gave, the nutrition it produced, the beauty it stood for is the emergence of the soil and seeds of the past and the biodiversity of its presence. Every creator is the emergence of their past and the diversity of their communities. Creating is to acknowledge our universal connection.

As we move into a world heavily influenced by collectively trained AI, I also consider the universal connection we have with the rising generation. Will we help the next generation see that their sound matters no matter who else sees or hears it? Will we help our children create more than they consume? Will we personally value their individual experience? Will we allow them to make mistakes in their creative processes (including grammatical errors), or will we overly sanitize their existence with algorithmically assigned standards? Will we help them touch the dirt, watch the birds, and balance on that log, so that they can, in turn, know what and why to create with the tools they have been given? Or will we create a world where they believe their noise is only measured in decibels?

I have, on occasion, tried to raise the decibels of my voice about what I believe matters in all of this. And does that voice matter? Sometimes it doesn’t feel like it if I measure it by splash or influence. I know it matters to my puddle-jumping Ander-Joy family, but even if it didn’t make a splash there, I can remember the trees. It matters that I am using my voice, because the process of using my voice is a reflective sound to myself.

If this post falls into a world unseen by even one other person, will it matter? Will it make a sound?

Yes. 

To me. 

The process of using my voice, the process of creating, the growth of me now and after I’m gone still matter – my personal experience – my progression towards authenticity. Those matter. 

They are what make me human. Writing this has been a form of self reflection. What do I value moving into this new rapidly changing future? How will I grow from now until the next time I create? What will I do to ensure that the next generation can hear their own sound? All of this musing makes sound to me.

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A Few Good Ones

“You don’t need everyone to love you… Just a few good people.” (The Greatest Showman).

I come back to this a lot, including with my work.

I started North Delta Art as a hobby. It still is, but it is also slowly growing. 

With every new creative project, I remind myself who it is for.

So who is it for? For my few good ones.

  • For the child who shared words inspired by the imagination of the Peysu Pals to express how a wind chime could be the interaction between Elska (love) and Tuuli (wind) telling us that we are loved.
  • For the child with mis-matched shoes teaching me more on our nature saunters than I could ever teach her.
  • For the grown up “magic smuggler” who provides space and support for me to create.

Sometimes I’m asked why I don’t do specific things to make my art more broadly interesting or why I rarely jump on trending bandwagons or study algorithms. I admit it is a privileged position to be in, but this is why. I don’t need the world to love me, or my work. I already have my few good ones (including all of you who took the time to read this). 

I do welcome the potential of meeting a few more good ones. I’ve loved the local approach I now prioritize which has led to great conversations with amazing bookstore owners and artists. I hope to make an impact in a few good ways as I begin to add classes to my rotation. I hope my art is connective and meaningful to a few good people who so kindly have purchased and supported my work. Ultimately, though, I hope that I never forget why this started in the first place.

If this grows organically, I’m excited to see where it goes. But if I never make another sale, I will still have the few REALLY good memories of “happy sheep” dances in my living room and family craft time in the Sunroom Studio. And those few good moments are what make a life.